THE DEN10: APRIL 17

It's going to be a beautiful weekend, y'all.  Hang on tight to the folks you love and get out there and make it count. 


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Wednesday April 17
Hayes Carll / Warren Hood And The Goods | Dan's Silverleafd | 8PM | $25
The relatively youngish Hayes is quickly making a name for himself as one of the top Texas songwriters. Although his popularity has probably outgrown the space, his love of Dan's and the meticulously curated haphazard atmosphere (thanks to Dan himself) keeps him coming back.

Tartufi / Midnite Society / Curvette | Andy's | 9PM | Free
A wonderfully rounded out touring show (Tartufi hails from San Fransisco) at Andy's on a Wednesday. Plus it's free so no there's not much of an excuse not to go but we'll understand if you sneak up to Paschall Bar to use the bathroom.​

Saturday April 20
Record Store Day 2013 | Mad World Records | 10am | Free
Savage & The Big Beat, Pinebox Serenade, Spooky Folk and Kurt Baker bring in this celebrated holiday with an early (10am!) bang at Mad World Records.

Spiderweb Salon's April House Show | 1200 Ridgcrest Circle | 8pm | $5
Spiderweb Salon continues their monthly series with music, comedy, music and prose by local artists.

TRASHion Fashion Show | Denton Civic Center | 12PM | Free
Oh, how we love clever names and clever uses of trash.

Lagunitas Tap Takeover and Keep The Pint | Oak Street Draft House | 4:20PM | Free
Get it? It's at 4:20 on 4/20? I'm hungry and you're just not hearing me when I say "rural" is a really weird word. Rural. Say it.

6th Annual Redbud Festival | Denton Civic Center | 10AM | Free

6th Annual Beanstock | Cool Beans | 12PM | $10
​The naming of this event is right up our alley. Somehow it works and is so good and so bad at the same time. There's a great list of bands playing this mostly all day event so don't let the cover scare you off.

Monday April 22
Burnt Sienna Trio / Paperhaus / Glen Farris / The Great Depressions | Macaroni Island | 8PM | Free
I cannot stress this enough: No jerks!

Tuesday April 23
The See / Daniel Markham / RTB2 | Dan's Silverleaf | 8PM | $7

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ARTIST INTERVIEW: MICK BURSON

If you've been on the square or Fry Street in the last few years, you've seen Mick Burson's art. His large-scale work adorns the walls of several areas in town, some noticeable, some hidden. With the recent success of the Banksy movie, Exit Through the Gift Shop, public art has gone up a notch in the public eye. Denton, in general, sees it's fair share of street art. The majority of it has a pretty short half-life, though, being washed away before most people are able to even notice. Burson's work, however, is normally met with a warm welcome.

Many local business/land owners have commissioned Burson to beautify their walls with some of his local artwork. Maybe you've noticed his mural full of tiny, colorful houses on the west side wall of A Creative Art Studio at Oak and Bolivar? If not, then you've definitely seen one of his murals closer to the UNT campus. Either way, Burson's art has touched Denton in a way that most artists only dream about. With the forthcoming removal of the 35 Denton mural from the wall of Rusty Tacos, we thought it pertinent to speak to Denton's resident mural expert. 

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Tell us about yourself - what brought you to Denton - how long have you been here - what do you do - etc.

I moved to Denton about 3 years ago to go to UNT and I did that for about two years - and then I’ve been in Waco about the last year. I'm moving back to Denton next week and starting back in the fall to finish school. The job i'm leaving in Waco was super supportive of what I did so they were really flexible on my scheduling so I was able to take the big jobs out of town and still have something to come back to.  

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You have a long standing history with 35 Denton - how did that start? What all have you done with 35D? How do you think partnering with 35D has affected you?

I had known Ahuni Perez for a little while, and this year before the festival she contacted me needing someone to paint for the event. The inside of The Hive was what I did for them this year. The atmosphere the space provided was perfect, the building hadn’t been in use for some time so the smells and overall feel reflected that and thats what I’m drawn to. I ran short on time so I was only able to finish The Hive and not any other spaces this year so I owe them a wall in the future. Partnering with 35 Denton was an absolute pleasure, they know how to take care of the people they hire on for projects and I think that reflects in the organization. Special thank you to Kyle, Ashuni, and everyone who makes 35 Denton possible.

Why do you make public art?

I have always explored abandoned areas, and I think thats why I am so drawn to where I’m from because it provides an abundance of those spaces. Growing up I would explore the places and see graffiti left by others and there was something magical about the energy spent without expecting any return with just a hope that someone could appreciate it in the future. So I began writing graffiti at about 16. A couple years later I met up with some guys who helped me take it in a serious direction - and I began painting freight trains. With trains and graffiti and monikers on trains it provided an endless supply of inspiration. I no longer had to explore different areas everyday I could just go to the trainyard and the trains would constantly bring new stuff. I attended a community college at this time and one of my professors would let me skip class to paint trains as long as I showed him the work I had done. I appreciate him seeing a future in my work that I may not have seen at the time, I just wanted to paint. Eventually it all caught up to me and I got arrested for painting trains a week before my 20th birthday, and I guess thats where public art came in to save me. I still had to paint I just had to find a different way to go about it so I began painting legally for companies and different people. I think it was all just a natural transition into what it has become today. These days I make public art because its where I find my self-worth, it helps me to figure out myself and work through life issues.

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What are your feelings on the permanence, or lack thereof, of public art? Do you have hopes for the staying power of your own?

I think the lack of permanence in public art is one of the beautiful things about it. It is just like a big challenge that I take upon myself to create things that last longer than my body or mind will.

Recently in Waco I was painting a wall and there was a discrepancy with the shop owner with whom the wall faced. Long story short, she talked to the guy I was painting for and he wanted to keep peace with her so he came out and said that it was no longer ok for me to paint and that they were going to cover it up. It then was no longer about the permanence of my work because i knew the future for it, it was more about being able to finish the expression I was in the middle of. I talked them into at least letting me finish, and as I was painting in the fur on the animals with a brush I realized that none of my work should ever be about permanence because it does not exist.

What inspires most of your wall art? What do you find appealing about large scale public art?

All my work is extremely narrative and usually focuses on interactions between people or animals. The interactions narrate trials and tribulation in my own life that I am facing. So what I paint is a direct reflection of how I would like myself to react in the situation. I feel by making work about whatever i'm facing and my work reflecting a positive reaction so that I will be more apt to following the suggestion I paint. I feel like it helps hold me accountable to the public on whom I want to be.

How much does the environment in which you place a piece (or even Denton in general) inspire the murals that you create?

I think the environment surrounding my work may inspire a certain color pallet for formality reasons but I try not to let it affect the content of my work. I do take into consideration other shapes and textures that will be working into the bigger view, meaning other buildings and areas that are in view when looking at one of my works and try to interact with shapes accordingly.

Do you think its important for you to have a creative community?

I love a creative community - but sometimes its not realistic for where you are at - so I make sure I do not build a dependance on a set creative community. I feel like a creative community is different from one to another so you can build your own wherever you are at. My favorite thing about school is the creative community it creates.

You’ve collaborated with other artists on some murals.  Do you find that to be more exciting than working on your own?

I think the collaboration process is an important one. One of my favorites to collaborate with is Taylor Mcclure, I think naturally anyone who creates large scale work has to have a certain drive within himself so having that in common with someone else is a great rare thing thats should be exercised. I also feel like that is one of the difficulties, I try to never let my drive become my ego and that stand between me and a new idea. I also feel like one of the collaborations that happens in a very natural way is the one between Mike Carpenter and I. Mike films and edits montages of my work, we work great together not much needs to be said he does what he does, and does it very well and I do what I do. So collaborations can come in many different forms.

What kind of preparation goes into something like a large wall mural? Is there a lot of planning before you start?

It depends alot on who its for and what it will be containing. For businesses they always want to see a sketch and quite a bit of prior planning. Then there's the other side of it were I just go find a wall and talk to the business owners about me just doing my own thing on it. When there's no real guidelines as far as content there is very minimal planning. I try not to have any sketches and just react to the shape of the wall, I give myself this freedom since a lot of my work contains straight lines and requires a lot of accurate work. For me a sketchbook is one of the most important things, I fill them up constantly and then I have set shapes in my head that I lay down and then just react to those when doing a wall. As far as my color palette goes there is never any planning going into it - I just pick a few basic colors and mix them on site.

You started out as a printmaker and still do that along with your public murals.  Printmaking allows you to easily create multiple pieces of work.  Has a desire to get your work in front of a lot of people influenced your choice in medium?

I think printmaking has greatly influenced my work, any one of my walls could very easily be broken down and turned into a print. I work with layers - just like in printmaking - and figure out what is going to work best next, and make sure I am not cutting background shapes after doing foreground objects. I think the medium I use for walls whether it be spray paint or latex paint is influenced by what I grew up knowing and what I am use to. I try to broaden the materials I use so that in any situation work can still be made, but I also let myself figure out the new material at my own pace. I don't ever want this part of my work to turn into being about money, that would ruin the pureness and simplicity of it all.

Your style is pretty recognizable. Can you tell us about your aesthetic?

One of my mom's favorite artist is a guy named Pena and all his work is based around native americans and the southwest, so I grew up drawing the paintings she had hanging at the house. Now that I am older I can recognize the elements in my work that I have kept from his work. A lot of inspiration I take from others' work happens at a subconscious level, so I never really know whose work is really affecting my own style until later down the road. One of my favorite things about art and the cohesiveness of someone's work is that it cannot be bought, or learned over night. I have to take what I know and make work day and night about it and take care of it and figure out what direction I want it all to go. Art takes an extreme amount of work that you have to put in to reach any real level of cohesiveness that you could call your own, and thats why its a never ending process for me.

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BACK IN THE DAY: JOHN B. DENTON

Shaun Treat​

This is the first post in an ongoing collaboration with our friends over at Denton Haunts. They'll be providing us with a monthly history lesson to help us better understand the crazy and colorful past of our awkwardly awesome little town. This month they've provided us with a story about the infamous John B. Denton. 

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The Life and Legend of John B. Denton

Last weekend was Denton Countys 167th birthday, so it seems a perfect opportunity to recall the life and legend of our namesake, John B. Denton. Even longtime locals may scratch their chin if asked for details about the local hero interred in the grave-site on the Courthouse Square. Luckily for us, Shaun Treat of Denton Haunts is full of local stories and almost-forgotten lore about places and people like this pioneer, himself a fascinating mix of history, mystery, and myth.


Few verified accounts of John B. Denton exist, and even those are often highly romanticized. All agree that he was an eloquent speaker and beloved community leader who left an indelible mark on North Texas. Orphaned in Tennessee at eight and a runaway working as deckhand on an Arkansas River flatboat by twelve, Denton would became a circuit-riding Methodist minister who journeyed the untamed wilderness borders of what is now Missouri, Arkansas, and Texas for a decade. This was treacherous travel in unforgiving elements for meager pay, keeping him away from his growing family even as he navigated uncertain weather, savage terrain, and the roving raiders of the Indian Nations with only his Bible, rifle, and wits.

By 1830, Denton settled his wife and five children near present-day Clarksville to become a frontier lawyer as the contested territories seethed with tensions that would lead to the Texas Revolution for Independence in 1835. In 1840, Denton lost a bid for Texas Congress but he was made famous in his campaign, beloved by children, respected by elders, and admired by acquaintances. Denton was commissioned as Captain in Col. Tarrant’s Fourth Brigade of the Texas Militia in 1839, tasked with protecting the lives and property of the scattered frontier settlements from the recurring attacks by roving Comanche and other Native American raiders of open-range livestock on moonlit nights.

We may today comfortably debate the ethical merits of Westward Expansion and Native American cultural difference, but for Denton’s contemporaries, theirs was a daily struggle for uncertain survival in an often unforgiving frontier. While some tribes and settlers attempted to forge relations for tenuous coexistence from mutual understanding, others would trade brutalities of prejudice; and perhaps thus it has always been.

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What is certain, however, is that after a murderous raid of a neighbor’s Clarksville homestead in April of 1941, Denton rallied his militia of Rangers. By May, a company of Tarrant’s 4th Brigade militia under Capt. Bourland left Fannin County to recover livestock and exact revenge upon the raiders. Captain Denton, commanding a small detachment of scouts with Henry Stout, located Indian encampments along Keechi Village Creek (near present-day Arlington) and proceeded to raid then burn the first two villages with little resistance.

Denton and Stout split into separate units to scout further, stumbling upon a sprawling streamside community now alerted to their presence. Stout cautiously halted his men but the fiery-tempered Denton fearlessly charged ahead into an ambush by rallying braves. In the fire-fight, Captain Denton was killed immediately and Stout was wounded while their unit scrambled to withdraw. Learning that the Keechi villages contained over a thousand braves, now returning from a hunt, Tarrant called the retreat. The fleeing brigade buried Denton’s body under a tree beside the creek as they hastily crossed into what would become Denton County, later so named in 1846 to honor their fallen hero.

Yet the story of John B. Denton does not end with the Battle of Village Creek. When a grave was discovered by some boys along Oliver Creek in Denton County in 1856, Denton County rancher John Chisum (who would become a legendary cattleman and one namesake of the famed “Chisholm Trail“) recalled the stories of Denton’s death and burial told to him by his father Clabe, also a member of Denton’s Texas militia company. The cattleman investigated with survivors of the raid, who identified the bones by the blanket they were wrapped in, an old broken arm, and some gold teeth. Chisum took the remains back to his home and buried the box in a corner of his yard to await reclamation. When Chisum sold his property to J.M. Waide years later, he left a written account authenticating the grave with his friend J. W. Gober.

By 1900, the Old Settler’s Association of Denton County wanted to bury John B. Denton in the town that proudly bears his name. They placed an advertisement in the paper which John Gober answered, producing the letter written by Chisum authenticating the remains. These remnants of Captain Denton were exhumed once again and buried during a large ceremony on the southeast corner of the Denton County Courthouse lawn on November 21, 1901, then 60 years after Capt. Denton’s death and 44 years after the city of Denton was founded in 1857.

There are also ghost stories of Denton’s restless spirit, tales that are best told another time, but the colorful story of Captain Denton nevertheless reminds us that our history can inform intriguing insights into our present and future.

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Shaun Treat is an assistant professor in Communication Studies at the University of North Texas and founder of the Denton Haunts historical ghost tour. I’ve written about John B. Denton at my Denton Haunts blog, but am forever indebted to the great work of fine folks with the Denton County Historical Commission and local keepers of history like Mike Cochran and Laura Douglas at the Emily Fowler Library for their tireless work in helping preserve Denton’s colorful past.

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BLACKOUT POETRY

Austin Kleon inspired all of us over here at We Denton Do It with his tips on keeping the creative juices flowing. So much so that in response we've come up with our own set of blackout poems.

We're posting ours here and a few on our instagram if you'd like to follow along. Join us in our new Sunday morning addiction and instagram your own newspaper blackouts using the #wddi #blackout hashtags.

Don't forget to skip out on work a little early and join us over at UNT on the Square at 4 today to listen to his sage advice up close and in person. 

​Laura H. Drapac

​Laura H. Drapac

​Laura H. Drapac

​Laura H. Drapac

​Dave Koen 

​Dave Koen 

​Alyssa Stevenson

​Alyssa Stevenson

​Dave Koen 

​Dave Koen 

​Courtney Marie 

​Courtney Marie 

​Courtney Marie 

​Courtney Marie 

​Austin Kleon I UNT on the Square I 4p I Free 

THREE SONGS: APRIL

​Chambers

​Chambers

This month's selection of songs from local bands spans the gamut form homespun-weirdo folk to outright sludge metal. Needless to say, there's probably a little something for everybody in this month's Three Songs. 


We ran across a Skagg Philips set this past Saturday evening in the basement of J and J's. You can count us as late to the game on this one, but we were blown away by not only his gentle timeless songs, but his beautiful voice and emphasis on lyrical storytelling. We could very easily start gushing here, so we'll try to get out quick. Jesus Christ, the Philips is the moniker of local skinny guy, Jordan Batson. Batson is currently at work on a new album entitled, "Vice Versa." We'll be sure to let you know when he's got a show coming up in the Den10. You can check out more of Skagg Philips on his Facebook page. 

​Chambers has been slowly leaking out tracks from their forthcoming album over the past few months. Heck, we even debuted their video our first day back. This particular song that they released at the beginning of April is the most challenging track of the bunch so far. Upon first listen, that synth pulled us out of the song. We were worried that aliens might have abducted Judson Valdez et co. during the recording process. It wasn't until about 2:50 into the song when everything kicks in at full force that we could behold the glory that was the synthesizer and then appreciate the thoughtful lyrics and instrumentation. Check out more of Chambers here. 

​And on the opposite side of the spectrum, we also have a song from Denton mainstays Terminator 2 this month. Terminator 2 is one of the more masculine and aggressive bands currently operating out of Denton. The only thing this particular song has in common with the Chambers song above it is the acquired taste aspect. If you're not familiar with much doom or sludge metal, this might not be up your alley. Terminator 2 is hot off of having been deemed as having one of the "Top 10 Most Badass Band Names" in DFW. Denton has it's fair share of metal, but only a little bit of it is worth a damn. This is. I Am God sounds as if it was recorded deep underground in a portion of the earth with tectonic plates converging, causing earthquakes on the service. Heck, the bass-lines and barks here were probably the cause of those little earthquakes DFW has been experiencing over the past year or so. While we're on the subject, make sure you see these men live if you ever get the chance. Even if you hate this, it'll be a good talking point for you in the future. Terminator 2 just released a self-titled full length on Handmade Birds. You can purchase their cassette here or stream it via Decibel Magazine for the time being. Also, they have plenty of upcoming dates on their Facebook page, and you can stream their namesake via Netflix at the moment, too. 

THE DEN10: APRIL 10

I get it. You just spent all your rent money to go see Sigur Rós Tuesday night with the rest of Denton - and the curtain projections were amazing, and the band was "killing it," and you were in the pit, and you cried a little during that one song that reminded you of that one time that everything was right with the world and, then laughed a little when the girl wouldn't stop screaming "I LOVE YOU JONSI," and then cried a little again because the strobes were brighter than the sun, and it was the greatest thing you've ever seen or will ever see in all the world EVER. I get that. So let me welcome you back to the very non-Icelandic world of Denton where you can continue to see bands "kill it" all week (as in please kill me now if I ever hear that phrase again). In fact, lets make a pact right now: bands shall not be referred to as "killing it" ever again because trust me they aren't. When the poop hits the fan and the killing actually begins, my bet is that whatever musicians you thought were "killing it" will actually be the first ones to go. I mean of course unless they are like really, really, REALLY killing it, like Sigur Rós killed it on Tuesday.


Wednesday April 10​
Cool Womb / The Funs / The Days | Gloves | 9pm | $5
What a cool, fun, day today will be if you end up at this midweek offering at the Gloves. You've probably noticed Rubberglove's calendar is really getting some attention thanks to the placement of Scott Porter as "the day bar guy" / talent buyer.

Thursday April 11​
Austin Kleon: Steal Like An Artist | UNT On The Square | 4pm | Free
Check out our interview with Austin Kleon and go check out the Gallery Talk and Reception this Thursday. His book has been on our nightstands lately and has inspired some of our own blackout-poems that may or may not be posted tomorrow on our Instagram.

Biographies / Siberian Traps / Savage & The Big Beat / Dog With A Black Tongue / Old Potion | Gloves | $5

Friday April 12​
Def Rain / Peoplodian / Cutter | Gloves | 9pm | $5

The Hope Trust / The Holler Time / Pinebox Serenade / Dim Locator | Dan's Silverleaf | 8pm | $10
All Americana, all the time. The local heavy hitters of the genre come together at Dan's this Friday. There's a range within this form starting with Dim Locator's delta drenched styling and ending with The Hope Trusts attempt to pick up where Britt Daniel left off.

Warren Jackson Hearne & Le Leek Electrique / Nervous Curtains / Deep Throat | Hailey's | $5

Saturday April 13​
District 3 Meet & Greet with Jim Engelbrecht | 1315 Dartmouth Place | FREE
Always wanted to hang out with a councilman in a backyard? Now's your chance. Ask him about how he saved our bike lanes.

Eyes Wings & Many Other Things / Wirewings / Frauen | Gloves | 9pm | $5

Sunday April 14​
Sunday Funday Comedy Show | Hailey's | 9pm | FREE
Go for the comedy, stay for the free pizza.

Tuesday April 16​
Burnt Sienna Trio / Pile / Fat History Month | J&J's | 9:30pm | Free
Not a horrible Tuesday night at J&J's. Pile and Fat History Month are coming to us from Boston and Burnt Sienna Trio may be one of our town's best kept secrets.

BOOKISH COFFEE AND DENTON CROWDFUNDING

​Rabbit Hole Brewing Glasses

​Rabbit Hole Brewing Glasses

We’ve spent a lot of time covering Bookish Coffee here at We Denton Do It. Back in the day, we interviewed previous owner Brian Daskam about Bookish and their late-bicycle delivery service (RIP, awesome idea). A year or two later, we also we did a behind-the-scenes video with the then-new owner, Clay Rozell, about how their beans go from green to brown and eventually end up in your cup. Bookish was busy even then, and this was before their coffee was sold at The Cupboard, Natural Grocers, Denton Square Donuts, UNT, and all of the other lovely places in town you can purchase Bookish Coffee. Clay and his cohort, Wade Matheny, are in need of a new roaster and they’ve turned to you (via Kickstarter) to help. They're looking to purchase something that can handle larger roasting sizes to help their business accomodate for their recent growth (get that checked, Wade).

​Clay Rozell of Bookish Coffee

​Clay Rozell of Bookish Coffee

In a city where we see lots of local business fail each and every year, it’s nice to see one that’s having problems due to their success. At this time, Bookish has a little over a week left to receive the $13,500 in pledges (down from $30,000) that they need in order to be successful. This is normally the make-it-or-break-it point for most crowdfunding projects. The people who were excited to donate have already done so and the rest of the donations will either have to come from people who are holding out to donate or have just heard about the project. Maybe you or one of your friends is one of said people. So, if you haven’t already donated, do so before next Saturday. $50 gets you a Bookish Coffee mug, too! You can put it next to your Armadillo Ale Works beer glass.

Speaking of beer, while a lot of our local brewing talking time gets devoted to our pals at Armadillo Ale Works, just down the road there’s another couple of dudes hoping to get a brewery up off the ground. In the middle of Justin, TX (yes, that Justin, TX) Matt Morriss, Tom Anderson and Laron Cheek of Rabbit Hole Brewing are trying to convert an office space and parking lot into a tasting room and biergarten, respectively. They’re started with a goal of $12,000 and have already received over $8,000 of that goal with a little over a week left. While the space might not look like much, the crew has big plans and a strangely awesome (in a b-movie kind of way) video to accompany the project. Plus, it’ll give you more to do in Justin than just buying a pair of boots or getting lost.

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And lastly, on the more serious side of things, Giovanna Salas of Crazy Dreamer Productions, is looking for $7,000 to get her documentary about wild horses into the saddle. The crew has already been hard at work filming their non-biased documentary about what place wild horses (or the legends, thereof) have in a modern society, but are looking for additional funding to help with location fees, equipment rentals and festival entry fees. Sounds like this thing is getting made even if you hate horses. While there was plenty of room for Salas to make a “They Shoot Horses, Don’t They?” joke, sadly, they did not. Take that into account before you decide whether or not to donate.

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DENTON LIT - JOSEPH CARR

​This post is part of an ongoing collaboration between WDDI and Spiderweb Salon. We've previously been introduced to the likes of Walker Smart in their first shared post with us and countless others in the endless barrage of excellent live shows they have been hosting. Keep up with Spiderweb Salon, and see the great work they're doing showcasing the creative community through a series of live performances.  

​Joseph Carr reading at the 35 Denton Spiderweb Salon show.

​Joseph Carr reading at the 35 Denton Spiderweb Salon show.

Joseph Carr is a legally deaf poet who has been writing now for over a decade. While he has very little formal education, he has been a practicing autodidact studying for years within the areas of literature, poetry, theology, technology, language, and philosophy. His writing and research stem from his personal struggles with silence, withdrawal, abandonment, transparency, and the questions of compassion, humility, the divine, and the possibility of love. Carr read his poetry aloud for the very first time at the Spiderweb Salon show that took place on the lawn of the square in February. 

Seeing as it's national poetry month, we thought it appropriate for Carr's works to be featured this month. Below, we have two of Carr's poems for your reading pleasure. Read through them, and if you have any interest in becoming a part of Spiderweb or perhaps catching one of Carr's readings in the future, be sure to keep an eye on their upcoming events page here. 


Love is a myth

Our plans, laid at night, woken at day
to lead the way as Ariadne, with thread so fine and paltry,
if they carry us far it is to everlasting shipwreck on foreign grounds.
Our actions but the flailing of infants, the wailing of woes
to tease Persephone from her captors with a song,
one to make the Furies weep as they did, and, with us, do still.
Our efforts are jests, pokes, irreverent worship
to disenchant Arachne with that same defiant foolishness,
expending lifetimes weaving chains in exchange for freedom.
Our faces wrung of emotion, poured out in mirrors
to shed the dark as Psyche, so ugly, such revelation
makes every lover flee in a storm of feathers and shame.
Our feet, torn and bruised by a shallow and feeble torpor
to lead the blind as Ismene in a tumult of fear
when even the uncanniest care does yet cower in the last.
Our hope a whimpered prayer at a powdered monument
to steal away Alcestis from demons unawares
borrowing minutes in an immemorial chorus of dread.
Our desires fickle as wind, wispy as clouds
to lend the future wings as Daedalus, ever cautious
till, in us, fire of sun meet most abyssal waters.
And love too is a myth ancient and tragic,
belated, it slips, like so many tongues
in so many mouths, telling so many stories,
singing so many songs, reciting so much verse;
dry and arid lips, confessing parched lies
of words and worlds,
and fire and water and sky.

 

Piezomechanesis

You’re full of luciferase,
and I’ve been hungry ever since.

I was 5, you, a month, middle aged,
already drunk on the twilight pools
I’d barely dipped my ankles in.

Maybe it was the cold light,
the hoary frost on your lips,
but I wanted you immediately,
wielding your aether
through the scissor punctures
of a gilded mason jar lid.

2 blinks for yes, 1 for no,
or maybe it’s more complicated,
a flashing sonnet
torn from an Aeolian harp.

Maybe it’s a sacrament,
and by the time you speak,
I’ll be just as dazzling.


Joseph Carr's Blog / Spiderweb Salon 

If you're interested in learning more about Spiderweb Salon, make sure to check out their brand new site!